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Workplace tech tool software download free. This article relies largely or entirely on a single. Relevant discussion may be found on the. Please help by introducing to additional sources. (April 2017) () A fake book is a collection of musical intended to help a performer quickly learn and perform new songs. Each song in a fake book contains the, basic and sometimes – the minimal information needed by a or small group to make an impromptu, extemporized of a song, or 'fake it'. The fake book is a central part of the culture of playing in, where strong abilities are expected from ' players (,,, ) and 'lead instruments' which play the melody and improvise lengthy solos over the.

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Fake books are not intended for novices. Sometimes, melodies with are written with the syncopation omitted, so the reader must be familiar with the songs 'by ear' to play the melodies correctly.

Some do not have a printed melody during the 'B' section, as the lead instrumentalist is expected to improvise one. Similarly, the for some tunes omit the (often simply indicating two bars on the tonic), as it is expected that an experienced jazz player will know the appropriate turnarounds to insert (e.g., (I–VI 7–ii–V 7).

The reader needs to have thorough familiarity with (e.g., C 13) and (e.g., C 7 ♯11). Introductions and codas are often omitted, as it is expected that players will know the familiar intros and codas used on specific songs. Fake books are often bound. A variant type of fake book contains only the to the songs. These books could be used by the rhythm section instruments to guide their improvised accompaniment and by 'lead instruments' for their improvised solo sections, but since they do not contain the melody, they can be used in performances only by players who have the melodies memorized.

Fake books are commonly used at informal ' and at jazz shows at small and bars. Contents • • • • History [ ] A predecessor to fake books was created in May 1942 when George Goodwin, a radio station director, released the first Tune-Dex cards. Printing on 3-by-5-inch (7.6 by 12.7 cm) that had the same size as library catalog cards, Goodwin provided lyrics, melody and chord symbols as well as copyright information.

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Goodwin also promoted the cards to professional musicians until 1963, when poor health forced his retirement. For many years the 'standard' fake books were called simply 'Fake Books'. All were composed of illegally printed, with no paid to the copyright owners.

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In 1964, the 's Cleveland, Ohio, office observed that 'practically every professional musician in the country owns at least one of these fake music books as they constitute probably the single most useful document available'. The first two volumes, Fake Book Volume 1 and Fake Book Volume 2, issued in the late 1940s–1950s, together comprised about 2000 songs dating from the turn of the 20th century through the late 1950s. In the 1950s the Modern Jazz Fake Book, Volumes 1 and 2 was issued, and Fake Book Volume 3, containing about 500 songs, came out in 1961. The music in Fake Books 1, 2, and 3 was or reset with a musical typewriter from the melody lines of the original.